If you’ve been following my blog for the last few months, you will have noticed that I’ve been doing a lot of work for Feast magazine here in St. Louis. Feast is one of two excellent food publications that I work with. As a photographer interested in food and food culture, I am lucky to live in a town that has a large enough food community to support all of the great writers, photographers and food lovers that contribute to these publications.
Another of the notable assignments I was given over the last few months was a portrait of Catherine Neville, publisher of Feast. Cat pens a “From the Publisher” column for each issue which is accompanied by a different photograph each month. Many publications use the same image for the editor or publisher each issue. New art each month adds a nice, fresh touch to the magazine. When the photographer who usually shoots the feature was had some scheduling conflicts, I was pleased and flattered when Feast hired me to fill in for a couple of Cat’s portraits.
Cat is a great subject to photograph. Despite her concerns about looking uncomfortable in front of the camera, I’ll be honest: it would be pretty difficult to make a bad photograph of her. Each month she either stands or sits in an interesting chair against a white seamless. The real challenge for this portrait was finding an appropriate chair for the sitting versions. As I’ve mentioned in the past, we don’t have a lot of furniture in the studio yet, and after trying a number of different chairs (including one I borrowed from the lobby of my building), Cat suggested that we try my psuedo-modern-wobbily-Ikea coffee table. It turned out to be a great idea. Beautiful!
I have been doing a lot of studio portraits lately (including an exciting project that I’m wrapping up this week) and have really been joying working with people again for a change. I love shooting food, but do you have any idea how hard it is to make a bowl of soup smile?