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Office Buildout: DIY Tables

The last couple of days I have been working my hands to the bone building out the office in my studio. After much consultation with my father, I designed and built two large worktables/desks in my office. One for me, and one for Xina when she chooses to work at home. Let me just say that I enjoyed the planning stages and the phone calls with my dad much more than the actual construction. Since I wasn’t able to build the tables with my dad in his well outfitted woodshop, I had to build them in my studio. Don’t get me wrong, I am certainly grateful that I have enough space to build an 8 foot table in my studio, but lacking power tools, it was a challenge.

I purchased the wood for the project at a local lumberyard rather than going to a big box store as I’d originally planned. The wood itself was slightly more expensive, but they didn’t charge me to make all of the numerous cuts that I was unable to do at home. The other advantage was that the location was much closer to my apartment than any of the big box stores. My little Subaru isn’t quite large enough to hold an 8 foot piece of plywood tabletop, so I had to stick it out from the back and drive veeeery slowly and carefully back home.

I’d figured out all the dimensions and the pieces needed with the much needed help from my dad. I wouldn’t have been able to do any of this on my own – my own plans were really terrible and dad was able to help me design something that actually worked. He even took the time to send me some notes. If you need DIY table plans, this set of instructions should be all you need (along with some math skills).

Instructions for how to design a DIY table

Once I had all of the individual pieces back home, I set up a camera, planning to do a time lapse movie of the project. After the first 20 minutes of frustration and anger I realized that the pressure of the camera watching me screw up was adding to the stress of the project so I turned it off. So sorry, no film. Construction essentially consisted of taking the pre-cut lumber, making some cross-cuts by hand and assembling all of the pieces. Here’s what I learned about myself during this process: no amount of careful measurement, combination squares and fancy Japanese pull saws are enough for me to make a straight cut. Seriously, as anal retentive I am, I was completely and utterly unable to make straight cuts with a saw. Each cut was consistently at a 2-3 degree angle from plum. Which made everything very difficult. One day I’ll buy a circular saw and be done with it.

Day one was the larger of the two tables, and day two was the smaller one. By day two I thought I’d figured out some of what I did wrong on day one, so set about the second table much more deliberately. While I was able to correct the mistakes from the first table, I realized that everything else that worked for the first table was apparently luck, and luck was not with me on the second table. Despite the 4×4s fighting me (one in particular had a grudge against me apparently because it was a complete pain in the ass) I was able to get the tables built – they are stable and feel very solid. Both tables are done and functional, and don’t look that bad mainly due to the nice birch plywood tabletops which cover up most of the mistakes. And let me tell you, going for and 8 foot table versus a four foot table is very liberating. Eight feet of lovely workspace!

I am exhausted, my entire body is sore and my hands are covered with blisters. But on the upside, I now have a usable desk/worktable in my office. I think I’ll wait on building a cyc wall until I can afford to hire a carpenter or maybe convince my dad to come visit. Here is what the larger of the two tables looks like all set up like a big boy office:

The office is starting to feel official finally. We even have a conference table! Which is our old dinner table, re-purposed as a work table. But I can, you know, have conferences! Have I mentioned lately how much better this it to my former cubicle existence?

Open Studios in Saint Louis

This weekend, the lady and I spent a lovely Saturday afternoon exploring the studios of local artists in Saint Louis. The Contemporary art museum here in Saint Louis sponsored the 5th Annual Open Studios, which showcased lots of artists in the area. Since we are new here, it was really great to get out and talk to the local arts community, and I am always excited to see other people’s work spaces.

In addition to meeting great people and seeing some crazy wonderful art, we also had the opportunity to explore other parts of the city. Obviously Cherokee Street was the big draw for us on Saturday, having not ventured over there previously. It was very exciting. We are definitely going to spend a lot more time getting to know the local art scene although being new to Saint Louis I felt like much of the afternoon I should have had a sign around my neck that said “Will You Be My New Friend?”

Back To My New Home

I just got back to Saint Louis from a last minute whirlwind trip to New Jersey and New York for a photo shoot. It was the first time I have been back to the east coast since we arrived in Saint Louis, and it certainly was an interesting experience for me. It was great to be back in the NYC, area especially on a gig – it is always great to be working. The shoot was in New Brunswick, so I flew into LGA and drove a rental to Jersey on Tuesday night, woke up very early on Wednesday morning for the shoot, and then managed to swing into Manhattan for a very short visit Wednesday afternoon. I got to see a few of my friends and have a few drinks at my old local. I even ran into one of my other friends who I hadn’t expected to see while in Union Square while I was eating a Salty Pimp ice cream cone from the Big Gay Ice Cream Truck. A city of 8 million people and I run into someone I know an hour after I get there. Go figure.

For all the friends I didn’t get to see: I’m sorry I missed you and I will try to have a little more advanced warning the next time I come into the city so I can plan meet-ups with all of you. I miss you dearly and can’t wait to see you again.


Studio Windows at Sunset

It was kind of a surreal experience, going back to the city as visitor for the first time, and not as a resident. In a lot of ways New York will always be “the city” in my life, no matter where I live, but being tossed back into if after a prolonged absence gives me a little bit better of a perspective on how the bewildered tourists feel. After the relative relaxed lifestyle I’ve enjoyed in Saint Louis, the first couple hours in Manhattan were stressful and shocking. The people, the noise, the speed. Even though the heat and humidity are similar to Saint Louis this week, it seemed hotter on the teeming avenues as I inched along in my rental car trying to get to the rental agency to return it.

Returning the car was the first step to getting myself normalized as a New Yorker again. It wasn’t long before I’d re-acclimated and was squeezing onto the 6 train at rush hour and dodging traffic in the East Village like I’d never been away. After some Thai food, the ice cream in the park and a few cocktails I nearly forgot that I didn’t live there any more. I had to keep reminding myself that I wasn’t going to walk home to my apartment; I was going to take a plane back to my new home.

And so now I’ve returned to my lovely and spacious studio, tired and dehydrated from my whirlwind tour, but I’m happy to be back. Saint Louis is really growing on me. Even though an anonymous commenter on STL Rising said recently “when someone from new york says good things about st. louis it’s time to burn it down” everyone I have met in Saint Louis has been wonderful and friendly. The lady and I are settling in nicely. I feel like we’ve moved to the downtown area at a time when all sorts of exciting things are happening. We are happy that we can do our part for our new neighborhood by supporting new businesses in walking distance rather than driving to big box stores and by staying in tune with neighborhood events. I feel that my New York City philosophy of urban living fits nicely with the philosophy of downtown Saint Louis.

I will always miss New York, and I treasure the few hours in the city when I can get them, but the sadness I feel when I leave again is tempered by the thought that I’m heading back to my new home, and as homes go, this is a pretty good one.

Underneath the Missouri Sky #12

For those of you who aren’t fans of Pat Methany and Charlie Haden, there is a fantastic album that I discovered years ago which is a staple in the contemplative section of my music library. I suppose it is a coincidence that I first loved the album Beyond The Missouri Sky in 1997 and now, 13 years later I am here, living underneath the Missouri sky for real.

Today saw blue skies when I woke up, followed by one of the terrific and terrible, violent and beautiful thunderstorms that sweep across my adopted city. The storms blow in from the west; angry clouds on the horizon that gradually make my studio so dark that it is disconcertingly like night time. I can see the rain as it approaches from several blocks away and then in an instant it is upon me, battering my windows. It is so quick and brutal that it compels me to stand in the window to watch. I watch the storms with fascination and the tiniest bit of fear that the swirling winds will turn into a tornado cutting swaths through the historic architecture. The storm swirls and bashes against the streets and walls, spraying the cornices and ornamental statuary around me for a half hour before drifting east towards Illinois, followed by another sultry, humid afternoon. An hour after the darkness descended on my studio, the sky is blue and the water has already evaporated, adding to the heat index that makes the high 80’s seem cool to me these days.

And then in the evening, as I’m washing lettuce for our evening salad, I look out those same windows and I’m treated to yet another amazing sunset underneath the Missouri sky.

Once a Day Theory: The theory is that having to post a photo every day will make me a better photog. It’s also a theory that there will be a photo every day. Gallery of previous Once a Day Theory images can be viewed here.

View from the Arch

We have our first visitor in Saint Louis this weekend. Our friend Elsa came into town yesterday to help Xina as she sets up her lab at Wash U, and at the same time she’s going to help us explore the bars, restaurants and other places we’ve been meaning to go in town. Our goal for the weekend is to only go to places that Xina and I haven’t been yet, so that as we act as tour guides for Elsa we’re also learning more about our new adopted city.

First thing on the agenda was, of course, the arch. We had been down to see the arch several times (and we run down there nearly every day) but we had been waiting to take the trip up into it for when guests were here. Wednesday evening at sunset was a pretty good time to go – the wait was short. All in all it’s a bit of an anti-climax, the top is, well, a curved space covered in carpeting with some sketchy looking stairs at either end and some windows. To be sure, the view is great, and it’s a bit of an odd feeling knowing that you’re standing over an open space taller than the Seattle Space Needle.

It was fun and I’m glad that we took the time to do it, although it’s unlikely that I’d do it again. I find the arch to be so completely fascinating from the outside that the slightly dumpy interior didn’t work for me. I’m working on a post about the arch with some images that I’ve taken since I’ve been here, more on that later. I do know that I’ve taken a lot of photos of the arch already, and I’m sure to be making a whole lot more.

Strobist Sync Options Roundup

In my post about equipment testing earlier in the week, I mentioned the importance of being prepared in case your Pocket Wizards crap out. David Hobby over at Strobist has a really nice roundup of all of your syncing options and even points to Monoprice for some cheap cords. I’ve been using Monoprice for years to get cheap AV cables and such, but it never occurred to me to try to get sync cords there. Gotta love that!

Equipment Lighting Test Day

Today is the start of my second full week in Saint Louis. I had this little app on my iPhone that I was using to countdown the days until the move when I was still in New York and I realized that after it hit zero, it changed over from “days until” to “days since”. I was going to trash it, but then I decided to just let it keep clocking away. In any case, it is Day 13 today, and I felt it was high time to make sure that all of my equipment is functional. I also wanted to make sure that everything was in the correct place, nothing was missing, and that I would be able to do what I need to do on a shoot. There is nothing worse than getting to a shoot and realizing that a piece of equipment is either broken or missing.

In my experience, the only way to truly make sure that you have everything in your bag and that everything is working is to stage an actual photo shoot, from start to finish. It is one thing to look at your bag and go through the inventory, and another to take everything out, build a set and make some pictures. This is especially the case when working with kits you haven’t used as much as others, or maybe kits you thought you knew but haven’t used in a while.

Last week I needed to make a quick head shot of Xina for her lab website, and when I pulled out my speedlight kit and built the set, I realized I was missing a few crucial items. I went online and ordered what I needed, and when everything gets here I’ll run through another test shoot, just to be sure. Today I unpacked and tested my big light kit, which includes a couple of Alienbees. In the past I’ve always used the Alienbee radio system, but my transmitter battery died, and I’m using PocketWizards these days anyway. After I’d set up the AB800 with a softbox and had it in place, I realized that the Alienbees take the small PC cords, while my other monolights take the large connector. Turns out I don’t have the correct cord to use with my PWs. Not a big deal, I have a standard sync cord and made it work, but if I’d been on a shoot I’d have been in trouble since that particular sync cord isn’t always in my lighting kit. It illustrates the importance of real world testing versus just checking things off an equipment list (which is important too). As a side note: you should always have a couple of sync cords handy when you go on location. You never know when you’re going to get interference from some outside source messin’ with your pocket wizards. Nothing beats a direct cable in a pinch.

So I hauled everything out into my fantastic new space and got to work. If you’ve never worked in your own studio space, there is nothing better than having space to move around when building a set, and the fact that it’s my apartment makes it even better. I turned on some tunes, and spent the morning and afternoon testing equipment and playing with various lighting setups. Unfortunately I only had one really funny lookin’ model to work with today, so your mileage may vary. You know what I love about photography? You can even make a big tub of goo like me look like he’s got muscles just by using light (and conveniently hide his belly in shadow while you’re doing it). Lemme tell you something, photos can, and do, lie.

Nothing like spending the day taking pictures of yourself to make you feel like a narcissist.

Safe Deposit Vaults

Readers of my blog will surely know by now my love of shooting into the sun. I love the unpredictability of the solar flares on the lens, the way the sun burns through everything. Being an east/west town, Saint Louis has a lot of sun.

Once a Day Theory: The theory is that having to post a photo every day will make me a better photog. It’s also a theory that there will be a photo every day. Gallery of previous Once a Day Theory images can be viewed here.

Junk Shop Konica

I moved to New York in the fall of 2000. For the first couple of months I couch-surfed at my friend’s place and when his girlfriend got too fed up with me I moved to a rented room in an apartment with two aging hippies. It was very clear from them that I was just renting the room; we weren’t roommates. While I am sure that I was paying the majority of their rent controlled monthly rate, and while I had my own bathroom, it wasn’t exactly the most social of situations. I was occasionally invited to “their end of the apartment” for dinner, which was entertaining to be sure, but I couldn’t exactly call them friends.

I was new to the city, and because the few friends I had lived in Manhattan, I felt very alone in Brooklyn. I spent a lot of time exploring the city the same way I am currently exploring Saint Louis – on foot, just walking around, seeing where the streets took me. The difference between now and then is that back then I didn’t have a camera. I spent that fall walking around just lookin’ at stuff. Then one day, I was walking down a random street and found an antique store, junk shop, something or other. I don’t remember what compelled me to go in, but in I went, and found several cameras in a glass case. I hadn’t held a camera for at least a couple years since college, and it just seemed right. I chose a Konica Autoreflex T3 with a 57mm lens. I don’t remember why I chose the camera – it wasn’t even that clean. I think it was the one I could (barely) afford. I think I paid $140 for it, which was a ton of money for me at the time and I’m sure that was more than it was worth. But I was all excited and rushed out to buy some film.

It was incredibly cold at the time, and about three quarters of the way through my first roll of film, the shutter started locking up. I think the cold was just too much for it, and I didn’t have any money left to fix it. I was really discouraged. I was sick about spending the money and the fact that I would have to shell out even more money to have the film developed, and I was still alone! I finished out the roll, convinced it would be a failure, put the camera down and didn’t pick it up again. Later that year I saved and scrimped and bought my first digital camera, a Canon G1. I haven’t shot film since.

I never developed the roll of film I shot with the Konica and never tried to use it again. But I hung on to it for all these years. I’m considering film again now, as an exercise. I want to see what it is like to have a finite number of frames to shoot, to have a little more guesswork in my exposures, and just to try something new (old). So I rolled out the Konica and cleaned it up. I have five rolls of 35mm film laying around which I found in my dad’s camera bags last summer (who knows how old those are), so I’m committing myself to shooting all of these rolls of film, having them processed and seeing what I’m able to make of it. I’m going to use the Konica even though the meter is broken and not having developed any film from it I have no idea if the thing even works. It could have light leak, the jammed shutter may be a problem (although it is certainly not cold in Saint Louis at the moment.

We shall see what happens, won’t we? Wish me good film karma!

Always Be Shooting

Parking garage, downtown Saint Louis

It has been a busy week here in St. Louis, and it’s only Wednesday. I had to actually pull up my calendar to check that, since to be honest I wasn’t exactly sure what day of the week it is. We have been busy unpacking and car buying, and while we are getting to the end of the unpacking process, we still have a lot to do. Not surprisingly I’m settling into the new loft very well. I have a kitchen I can use, you know, ordinary sized stove not a little toy stove, counter space … all in all it’s amazing.

It’s so amazing in fact, that I have to make sure to remember that my job is not to hang out in my office apartment every day. I am a photographer, and a photographer that spends his days organizing hanging files in his filing cabinet and other household items is not going to improve as a photographer no matter how diligently he stacks and straightens his Post-Its, pens and copy paper. Having a neat and organized office and having all of your equipment in order is important, no doubt. But it all means nothing if you’re not shooting. Hence the acronym that most photographers who blog have mentioned: ABS, or Always Be Shooting. It’s sometimes difficult to find the time when you have the other important things in your life happening, but if you’re a professional photographer, this is something you need to be doing. Not only so that you can have work to throw up on your blog, but so that you keep your creativity primed, your skills sharp. And lets be honest here, if you love it, you’ll find the time.

Citygarden, Saint Louis

Given that I’ve been in Saint Louis for exactly one week as of today, I have a ton of stuff to do. But today I took some time for myself and went out with my camera to explore a bit. I didn’t make a massive trip of it, and I stayed in the neighborhood where I live. However, my little photo walk this afternoon got the juices flowing, and as a side benefit, opened my eyes to a bit more of the city then I’d seen before. I can’t wait to go further afield (although when I go I’ll be armed with water, a hat, and sunblock – the St. Louis humidity is a force to be reckoned with. It was kind of overcast in patches today when I was out, and I felt that black and white conveyed the mood. Here is some work from today.

City Center, Saint Louis

Detail, Orpheum Theater, Saint Louis

Alley, Downtown Saint Louis

As a side note, Saint Louis has alleys. There is nothing more interesting to me than these little half streets behind buildings, in the middle of blocks. They aren’t on every block, but for some reason they always make me smile when I stumble across them. I had alleys growing up in PA, but New York doesn’t really do alleys – too much wasted real estate I guess. Perhaps I should do a project of just alleys. I’m also thinking of doing a project about parking garages … lots of those in Saint Louis too!